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The Power of Value: Directing the Viewer’s Eye (Two-Day Workshop)


NOV 14-15 (SAT & SUN) | 10 AM–3 PM | The Power of Value: Directing the Viewer’s Eye (Two-Day Workshop)
$545.00

Cost: $545 | Member Pricing: $398-490
Instructors: Jackie Manning and Christofer Charles Taylor

Instructor 1: Jackie Manning, MFA | Portfolio
Instructor 2: Christofer Charles Taylor, MFA | Portfolio
12 Participants Maximum
In-Person Participation Only

COST: $545

MEMBER PRICING | Use code at checkout

  • $490 – Member | use code: MEMBER

  • $436 – Advancing Plan | use code: ADVANCING

  • $398 – Mastering Plan | use code: MASTERING

FINANCIAL ASSISTANCE

We want everyone to be able to participate. If you need financial assistance, a 30% discount is available – just email us at team@azgourartgroup.com

WORKSHOP OVERVIEW

Using value (the relative lightness or darkness of an element) is the most powerful compositional tool for establishing visual hierarchy and dictating the exact path a viewer's eye travels across an artwork.

In this two-day workshop, Christofer Charles Taylor and Jackie Manning will demonstrate how value relationships can establish a strong focal point, create secondary and tertiary areas of interest, and influence the pace and direction of a composition. Participants will also explore when to move beyond their reference material and make adjustments directly on the canvas to strengthen the finished work.

Working from still-life setups, artists will create a series of rapid studies in drawing or painting. Participants are encouraged to leave their small brushes and fine-tipped pens at home: the emphasis will be on seeing and organizing large value shapes before introducing detail. Through demonstrations, exercises, and individual guidance, artists will develop a more deliberate and flexible approach to composition.

WORKSHOP STRUCTURE

Objective

Participants will learn to:

  • Simplify a subject into clear, organized value patterns

  • Establish primary, secondary, and tertiary focal points

  • Guide the viewer’s eye and control the pace of a composition

  • Recognize when departing from a reference can strengthen an artwork

  • Build the habit of resolving large compositional relationships before adding detail

WHAT TO EXPECT

  • Instructor lecture and painting demonstration

  • Structured painting exercises with room for interpretation

  • Individualized guidance during studio work

  • Group critique and discussion

  • Insights into the instructor’s current projects as added educational context

  • A casual, energetic environment that encourages experimentation and growth

MATERIALS TO BRING

  • Charcoal, ink, oil, and/or acrylic

  • Multiple surfaces: paper, canvas, and/or panels) – Sizes: 8×10”, 9×12”, etc, but no larger than 16×20”

  • A few large brushes

  • Turp or water to clean brushes

  • Rags or paper towels

Tables and chairs are provided. Participants may bring their own easels (tabletop or freestanding) or work directly on the table. The studio offers a restroom, paint-washing sink, paper towels, water, tea, and backup art supplies if you forget something. A café is conveniently located across the street, though bringing lunch is recommended to maximize working time.

ADDITIONAL DETAILS

  • Arrival: Participants are welcome to arrive up to 20 minutes early to settle in.

  • Parking: TO BE ANNOUNCED

  • Questions: please get in touch via email: team@westportalgallery.com

LOCATION TO BE ANNOUNCED
___
415 212 9092 | team@westportalgallery.com


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November 7

Introduction to Watercolor: Fundamental Techniques and Strategies

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November 21

Beyond the Reference: Transforming Images into Contemporary Painting